Da Vinci Sacred Tree Notes is a new opus which was created as an inspiration from my clay objects about da Vinci Classification of the trees. Each piece of work contains also a LARIMAR symbol and the text modified from my clay objects.

LEXXUS 481. (Sacred Tree Notes), 2013

  • Orig. Giclée print (signed)
  • Paper size 70 x 50 cm / Print size 61 x 43 cm (limited edition 15)
  • available also smaller prints
  • Opus Da Vinci Sacred Tree Notes

OF FLOWER SEEDS.
All the flowers which turn towards the sun perfect their seeds; but not the others; that is to say those which get only the reflection of the sun.

LEXXUS identifies with all situations where disobedience and refusal command has become mandatory.

Waganda 410. (Sacred Tree Notes), 2014

  • Orig. Giclée print (signed)
  • Print size 70 x 50 cm (limited edition 15)
  • available also smaller prints
  • Opus Da Vinci Sacred Tree Notes

The cherry-tree is of the character of the fir tree
as regards its ramification placed in stages round its main stem; and its branches spring, 4 or five or 6 [together] opposite each other; and the tips of the topmost shoots form a pyramid from the middle upwards; and the walnut and oak form a hemisphere from the middle upwards.

Symbols: The collection Waganda symbol consists of the 3 symbols ROLLEI, and ZIND Monato.

ZERO 427. (Sacred Tree Notes), 2013

  • Orig. Giclée print (signed)
  • Paper size 70 x 50 cm / Print size 61 x 43 cm (limited edition 15)
  • available also smaller prints
  • Opus Da Vinci Sacred Tree Notes

OF THE TRANSPARENCY OF LEAVES (427-429).
The shadows in transparent leaves seen from the under side are the same shadows as there are on the right side of this leaf, they will show through to the underside together with lights,
but the lustre [reflected light] can never show through.

Topic: I AM
Origin: ZERO comes from the 13 Dimension of “All That Is” – level.

TYREL 409. (Sacred Tree Notes), 2013

  • Orig. Giclée print (signed)
  • Paper size 70 x 50 cm / Print size 60 x 40 cm (limited edition 15)
  • available also smaller prints
  • Opus Da Vinci Sacred Tree Notes

In general almost all the upright portions of trees curve somewhat turning the convexity towards the South; and their branches are longer and thicker
and more abundant towards the South than towards the North. And this occurs because the sun draws the sap towards that surface of the tree which is nearest to it.And this may be observed if the sun is not screened off by other plants.

INKA 480. (Sacred Tree Notes), 2013

  • Orig. Giclée print (signed)
  • Paper size 70 x 50 cm / Print size 61 x 43 cm (limited edition 15)
  •  available also smaller prints
  • Opus Da Vinci Sacred Tree Notes

When the air is condensed into rain it would produce a vacuum if the rest of the air did not prevent this by filling its place, as it does with a violent rush; and this is the wind which rises in the summer time, accompanied by heavy rain.

Features:
INKA is a symbol of inner peace and serenity.

FLOR 463. (Sacred Tree Notes), 2013

  • Orig. Giclée print (signed)
  • Paper size 70 x 50 cm / Print size 61 x 43 cm (limited edition 15)
  • available also smaller prints
  • Opus Da Vinci Sacred Tree Notes

OF LANDSCAPES.
The colours of the shadows in mountains at a great distance take a most lovely blue, much purer than their illuminated portions. And from this it follows that when the rock of a mountain is reddish the illuminated portions are violet and the more they are lighted the more they display their proper colour.

MIRAGE 459. (Sacred Tree Notes), 2013

  • Orig. Giclée print (signed)
  • Paper size 70 x 50 cm / Print size 61 x 43 cm (limited edition 15)
  • available also smaller prints
  • Opus Da Vinci Sacred Tree Notes

When the sun is covered by clouds, objects are less conspicuous, because there is little difference
between the light and shade of the trees and of the buildings being illuminated by the brightness of the atmosphere which surrounds the objects in such a way that the shadows are few, and these few fade away so that their outline is lost in haze.

TENDRO 395. (Sacred Tree Notes), 2013

  • Orig. Giclée print (signed)
  • Paper size 70 x 50 cm / Print size 61 x 43 cm (limited edition 15)
  • available also smaller prints
  • Opus Da Vinci Sacred Tree Notes

Every year when the boughs of a plant [or tree]
have made an end of maturing their growth,
they will have made, when put together,
a thickness equal to that of the main stem;
and at every stage of its ramification you will find the thickness of the said main stem; as: i k, g h, e f, c d, a b, will always be equal to each other; unless the tree is pollard–if so the rule does not hold good. All the branches have a direction which tends to the centre of the tree m.

RAMBO 479. (Sacred Tree Notes), 2013

  • Orig. Giclée print (signed)
  • Print size 42 x 60 cm (limited edition 15)
  • available also smaller prints
  • Opus Da Vinci Sacred Tree Notes

RAMBO 479.
OF RAINBOWS AND RAIN (479. 480).
The colours in the middle of the rainbow mingle together. The bow in itself is not in the rain nor in the eye that sees it; though it is generated by the rain, the sun, and the eye. The rainbow is always seen by the eye that is between the rain and the body of the sun; hence if the sun is in the East and the rain is in the West it will appear on the rain in the West.

Features: The RAMBO-Essence encourages the artist in you!

SENTA 393. (Sacred Tree Notes), 2013

  • Orig. Giclée print (signed)
  • Print size 51 x 60 cm (limited edition 15)
  • available also smaller prints
  • Opus Da Vinci Sacred Tree Notes

TREES.
Classification of trees.
Small, lofty, straggling, thick, that is as to foliage,
dark, light, russet, branched at the top; some directed towards the eye, some downwards;
with white stems; this transparent in the air, that not; some standing close together, some scattered.

Description: Senta sees itself as a helpful sign in fear of loss to be (based on previous similar experiences) and those afraid to leave (to be).